{"id":1056,"date":"2016-04-05T11:38:32","date_gmt":"2016-04-05T11:38:32","guid":{"rendered":"http:\/\/victor-rodrigo.com\/vrodrigo\/?post_type=project&#038;p=1056"},"modified":"2025-01-17T15:38:21","modified_gmt":"2025-01-17T15:38:21","slug":"romeu-i-julieta","status":"publish","type":"project","link":"http:\/\/victor-rodrigo.com\/vrodrigo\/project\/romeu-i-julieta\/","title":{"rendered":"ROMEU I JULIETA"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; admin_label=&#8221;section&#8221; _builder_version=&#8221;4.16&#8243; background_color=&#8221;rgba(0,0,0,0)&#8221; custom_padding=&#8221;50px|||&#8221; top_divider_color=&#8221;#ff935e&#8221; top_divider_height=&#8221;40px&#8221; da_disable_devices=&#8221;off|off|off&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221; da_is_popup=&#8221;off&#8221; da_exit_intent=&#8221;off&#8221; da_has_close=&#8221;on&#8221; da_alt_close=&#8221;off&#8221; da_dark_close=&#8221;off&#8221; da_not_modal=&#8221;on&#8221; da_is_singular=&#8221;off&#8221; da_with_loader=&#8221;off&#8221; da_has_shadow=&#8221;on&#8221;][et_pb_row column_structure=&#8221;1_2,1_2&#8243; _builder_version=&#8221;4.16&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_gallery gallery_ids=&#8221;1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709&#8243; fullwidth=&#8221;on&#8221; _builder_version=&#8221;4.16&#8243; auto=&#8221;on&#8221; auto_speed=&#8221;5000&#8243; use_border_color=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;]&nbsp;<br \/>\n[\/et_pb_gallery][et_pb_video_slider show_image_overlay=&#8221;on&#8221; controls_color=&#8221;light&#8221; _builder_version=&#8221;4.16&#8243; saved_tabs=&#8221;all&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_video_slider_item src=&#8221;http:\/\/victor-rodrigo.com\/vrodrigo\/wp-content\/uploads\/2016\/05\/13297122_550450085115639_2008444096_n.mp4&#8243; src_webm=&#8221;http:\/\/victor-rodrigo.com\/vrodrigo\/wp-content\/uploads\/2016\/05\/13297122_550450085115639_2008444096_n.webm&#8221; image_src=&#8221;http:\/\/victor-rodrigo.com\/vrodrigo\/wp-content\/uploads\/2015\/12\/RJ_05.png&#8221; _builder_version=&#8221;3.0.47&#8243; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221; show_image_overlay=&#8221;on&#8221;][\/et_pb_video_slider_item][et_pb_video_slider_item admin_title=&#8221;Romeu i Julieta Assaig&#8221; src=&#8221;http:\/\/victor-rodrigo.com\/vrodrigo\/wp-content\/uploads\/2018\/03\/WhatsApp-Video-2018-03-17-at-15.30.26.mp4&#8243; src_webm=&#8221;http:\/\/victor-rodrigo.com\/vrodrigo\/wp-content\/uploads\/2018\/03\/WhatsApp-Video-2018-03-17-at-15.30.26.webm&#8221; image_src=&#8221;http:\/\/victor-rodrigo.com\/vrodrigo\/wp-content\/uploads\/2018\/03\/Captura-de-pantalla-2018-03-17-a-les-17.49.10.png&#8221; _builder_version=&#8221;3.0.47&#8243; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221; show_image_overlay=&#8221;on&#8221;] [\/et_pb_video_slider_item][\/et_pb_video_slider][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_text _builder_version=&#8221;4.27.4&#8243; text_text_color=&#8221;#ffffff&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<p style=\"text-align: justify;\"><strong>Romeu i Julieta<\/strong>\u00a0\u00e9s l&#8217;hist\u00f2ria d&#8217;un primer i \u00faltim amor. L&#8217;hist\u00f2ria de dos joves per a desprendre&#8217;s del llegat de l&#8217;odi que no els deixa estimar-se. Quan es con\u00e8ixen, l&#8217;amor dels dos ingenus Romeu i Julieta \u00e9s pur, complert, absolut. Aquest goig nom\u00e9s dura un instant. El moment de saber que el seu amor estar\u00e0 condicionat per l&#8217;odi entre les seves fam\u00edlies, \u00e9s l&#8217;inici d&#8217;un dest\u00ed fatal que acaba amb la mort dels amants. L&#8217;her\u00e8ncia els asesina. Romeu i Julieta \u00e9s l&#8217;hist\u00f2ria de l&#8217;impossibilitat de desprendre&#8217;s del propi llegat. Despr\u00e9s d&#8217;abordar Hamlet de la m\u00e0\u00a0<span class=\"\">de Raimon\u00a0<\/span><span class=\"\">Molins,<\/span> Projecte Ingenu insisteix en l&#8217;obra shakesperiana <span class=\"\">con a un montatge<\/span> <span class=\"\">dirigit per Marc<\/span> Chornet<span class=\"\">.<\/span><\/p>\n<p><strong>ROMEU I JULIETA de William Shakespeare<br \/><\/strong>traducci\u00f3 de <strong>Marc Chornet<\/strong>\u00a0i\u00a0<strong>Anna Maria Ricart<\/strong><br \/>direcci\u00f3\u00a0<strong>Marc Chornet Artells<br \/><\/strong><\/p>\n<table style=\"width: 377px;\">\n<tbody>\n<tr>\n<td style=\"width: 195.921875px; text-align: left;\">Romeu<\/td>\n<td style=\"width: 172.078125px;\"><strong>Carlos Cuevas<\/strong><\/td>\n<\/tr>\n<tr>\n<td style=\"width: 195.921875px;\">Julieta<\/td>\n<td style=\"width: 172.078125px;\"><strong>Cl\u00e0udia Benito<\/strong><\/td>\n<\/tr>\n<tr>\n<td style=\"width: 195.921875px;\">Pr\u00edncep i servent<\/td>\n<td style=\"width: 172.078125px;\"><strong>Roser Tapias<\/strong><\/td>\n<\/tr>\n<tr>\n<td style=\"width: 195.921875px;\">Fra Lloren\u00e7 i servent<\/td>\n<td style=\"width: 172.078125px;\"><strong>Alba Jos\u00e9<\/strong><\/td>\n<\/tr>\n<tr>\n<td style=\"width: 195.921875px;\">Mercutio<\/td>\n<td style=\"width: 172.078125px;\"><strong>Rosa Serra<\/strong><\/td>\n<\/tr>\n<tr>\n<td style=\"width: 195.921875px;\">Benvolio<\/td>\n<td style=\"width: 172.078125px;\"><strong>Neus P\u00e0mies<\/strong><\/td>\n<\/tr>\n<tr>\n<td style=\"width: 195.921875px;\">Capuleto<\/td>\n<td style=\"width: 172.078125px;\"><strong>Jordi Llordella<\/strong><\/td>\n<\/tr>\n<tr>\n<td style=\"width: 195.921875px;\">Mare Capuleto, Tibalt i Paris<\/td>\n<td style=\"width: 172.078125px;\"><strong>Mart\u00ed Salvat<\/strong><\/td>\n<\/tr>\n<tr>\n<td style=\"width: 195.921875px;\">Nodriza<\/td>\n<td style=\"width: 172.078125px;\"><strong>Toni Guillemat<\/strong><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>Escenografia: <strong>Laura Clos (Closca)<\/strong><br \/>Il\u00b7luminaci\u00f3:\u00a0<strong>Justo Gallego<\/strong><br \/>Vestuari:\u00a0<strong>Laura Clos (Closca) i Teresa del Junco<\/strong><br \/>Caracteritzaci\u00f3<strong>:\u00a0Txus Gonz\u00e1lez<\/strong><br \/>Ajudant de direcci\u00f3:\u00a0<strong>Cristina L\u00f3pez<\/strong><br \/>Moviment:\u00a0<strong>V\u00edctor Rodrigo<\/strong><br \/>Direcci\u00f3 Vocal:\u00a0<strong>Neus P\u00e0mies i Rosa Serra<\/strong><br \/>Fotografia:<strong> Andrea Torres<\/strong><br \/>Disseny Web: \u00a0<strong>Marc Padr\u00f3<\/strong><\/p>\n<p>Producci\u00f3:\u00a0<strong>Projecte Ingenu <\/strong>en Col\u00b7laboraci\u00f3 amb la <strong>Nau Ivanow<\/strong><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.16&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_text _builder_version=&#8221;4.27.4&#8243; header_3_font=&#8221;|100|||on|||rgba(0,0,0,0)|&#8221; header_3_text_align=&#8221;left&#8221; header_3_text_color=&#8221;#48a9a6&#8243; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<h3>NOT\u00cdCIES \/ CR\u00cdTIQUES<\/h3>\n<p>[\/et_pb_text][et_pb_divider color=&#8221;#48a9a6&#8243; divider_style=&#8221;dashed&#8221; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;-4vh||||false|false&#8221; custom_padding=&#8221;|50%|||false|false&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][\/et_pb_divider][et_pb_testimonial author=&#8221;J. BORDES&#8221; job_title=&#8221;21\/05\/2016&#8243; url=&#8221;http:\/\/www.recomana.cat\/CRITICA\/2833\/3\/Romeu%20i%20Julieta\/Jordi%20Bordes&#8221; url_new_window=&#8221;on&#8221; portrait_url=&#8221;http:\/\/victor-rodrigo.com\/vrodrigo\/wp-content\/uploads\/2018\/03\/Recomana-1.jpg&#8221; quote_icon_color=&#8221;#ff935e&#8221; portrait_width=&#8221;110&#8243; portrait_height=&#8221;50&#8243; admin_label=&#8221;Recomana&#8221; _builder_version=&#8221;4.16&#8243; background_color=&#8221;#48a9a6&#8243; text_orientation=&#8221;justified&#8221; border_radii_portrait=&#8221;on|15px|15px|15px|15px&#8221; saved_tabs=&#8221;all&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;]<\/p>\n<h1 class=\"article-titol\"><b>Intens treball, solucions senzilles i eficaces<\/b><\/h1>\n<p>Projecte Ingenu ha tornat a renovar, des de l&#8217;ess\u00e8ncia, la manera d&#8217;explicar una trama coneguda. Si en el Hamlet, l&#8217;aigua podrida corria pels peus del p\u00fablic, ara proven d&#8217;insuflar aire als espectadors. Per\u00f2 ho fan perqu\u00e8 consideren que \u00e9s vol\u00e0til l&#8217;opini\u00f3 dels joves, (Romeu oblida l&#8217;amor de Rosalina nom\u00e9s veure Julieta en un ball de m\u00e0scares), \u00e9s fugisser el dest\u00ed que els d\u00f3na oportunitats i alhora els hi treu quasi immediatament. Els dos protagonistes, Carlos Cuevas i Cl\u00e0udia Benito s\u00f3n dos joves fidels, radicals en l&#8217;amor, inexperts. Hi ha la frescor del primer amor. Per\u00f2 \u00e9s un amor molt cast, en qu\u00e8 fins i tot en l&#8217;escena del balc\u00f3 no encreuen quasi mirades. s&#8217;enamoren per l&#8217;o\u00efda (ben b\u00e9 com <i>Cyrano de Bergerac<\/i> per\u00f2 sense aquella amargor d&#8217;home que amaga l&#8217;amor a la seva cosina).<\/p>\n<p>Per\u00f2, al costat d&#8217;aquests dos protagonistes, es mou una companyia que construeix l&#8217;espai, a partir d&#8217;uns elements nobles com el ferro i els llistons de\u00a0fusta i serveix la trama, jugant amb el vers de Shakespeare i buscant franca comicitat amb la dida, els servents i el discurs, de floret, dels cosins Montesco. La seva lluita \u00e9s coreografia. Els rumors de palau s\u00f3n can\u00e7\u00f3 que bressola. Es percep una densitat entre els llistos, els ferros, la netedat a escena que evoca el mestratge de Peter Brook. La decisi\u00f3 de canviar el sexe d&#8217;alguns personatges ajuda a fer m\u00e9s c\u00f2mic els personatges populars per\u00f2 no sempre casen perfectament. Tamb\u00e9 queda un p\u00e8l coixa la clau de la proposta: el motiu \u00e9s la rebel\u00b7li\u00f3 del fill davant del pare per amor. Els fills tenen m\u00e9s clar la prioritat del cor tot i que no saben administrar b\u00e9 les emocions ni les accions i acaben sucumbint.<\/p>\n<p>S&#8217;han fet molts <i>Romeu i Julieta<\/i>. Per a l&#8217;espectador no \u00e9s suficient que uns actors o una companyia ho vulgui interpretar (desitgi provar-se degustant el vers de Shakespeare, tensant aquelles emocions). \u00c9s una pe\u00e7a que pot pecar d&#8217;ensucrada, de tr\u00e0gica, de llunyana (perqu\u00e8 avui \u00e9s inconcebible que uns joves de 15 anys es casin, que la lluita entre fam\u00edlies sigui tant sanguin\u00e0ria&#8230;) La proposta de Projecte Ingenu eleva el p\u00fablic per moments, es palpa i disfuta el silenci, la contemplaci\u00f3 del quadre final, tant trist i tant carregat de sentit alhora. L&#8217;acci\u00f3 enterra uns enamorats. Gaireb\u00e9 ning\u00fa els ha volgut atendre com es mereixien i ara les v\u00edctimes s\u00f3n els joves.<br \/>\n[\/et_pb_testimonial][et_pb_testimonial author=&#8221;T. POLO&#8221; job_title=&#8221;06\/09\/2016&#8243; url=&#8221;http:\/\/www.recomana.cat\/CRITICA\/2833\/11\/Romeu%20i%20Julieta\/ToniPolo#&#8221; url_new_window=&#8221;on&#8221; portrait_url=&#8221;http:\/\/victor-rodrigo.com\/vrodrigo\/wp-content\/uploads\/2018\/03\/Recomana-1.jpg&#8221; quote_icon_color=&#8221;#ff935e&#8221; portrait_width=&#8221;110&#8243; portrait_height=&#8221;50&#8243; admin_label=&#8221;Recomana&#8221; _builder_version=&#8221;4.16&#8243; background_color=&#8221;#48a9a6&#8243; text_orientation=&#8221;justified&#8221; border_radii_portrait=&#8221;on|15px|15px|15px|15px&#8221; saved_tabs=&#8221;all&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;]<\/p>\n<h1 class=\"article-titol\"><b>Una revisi\u00f3 fren\u00e8tica i respectuosa<\/b><\/h1>\n<p>Si agafem el text de <i>Romeu i Julieta<\/i>, el sacsegem i en traiem bona part del romanticisme tenim la versi\u00f3 que han fet Marc Chornet i la companyia Projecte Ingenu. Dues hores que passen a una velocitat vertiginosa, gr\u00e0cies a un text fidel a l\u2019original per\u00f2 retallat amb coher\u00e8ncia, a una escenografia \u00e0gil i genu\u00efnament senzilla i a un repartiment que juga amb molts pals. Tot per conv\u00e8ncer un espectador que des del minut zero se sent atrapat per una hist\u00f2ria prou coneguda que va m\u00e9s enll\u00e0 de l\u2019amor per plantejar-nos els conflictes de Shakespeare amb els ulls de l\u2019actualitat. Des del respecte i l\u2019admiraci\u00f3 per l\u2019autor, Chornet ens apropa els personatges, la trama, l\u2019\u00e8poca. \u00c9s el que tenen els cl\u00e0ssics, que no passen de moda i sempre es poden reinterpretar (des del respecte).<\/p>\n<p>Els personatges pateixen un gir que arrodoneix la hist\u00f2ria.Veure la mare i la tata de Julieta fumant, la minyona amb barba, patidora i agobiada, \u00e9s tota una declaraci\u00f3 d\u2019intencions. Igual que els amics de Capulets i Montaguts interpretats per noies. Una picada d\u2019ull als actors del segle XVI (tot eren homes) que ens actualitza, d\u2019alguna manera, una trag\u00e8dia que es veu venir. \u201cDespr\u00e9s de tot\u201d, diu Chornet, \u201cRomeu i Julieta no s\u2019han vist m\u00e9s que tres vegades i es coneixen ben poc: i moren d\u2019amor!\u201d. D\u2019alguna manera, cal amagar aquest anacronisme per traslladar l\u2019obra a l\u2019actualitat.<\/p>\n<p>El dinamisme del text queda llimat amb la m\u00fasica, les percussions i les can\u00e7ons, temes de l\u2019\u00e8poca shakespeariana,i les coreografies, tan senzillesi tan efectives com l\u2019escenografia. Les lluites, les morts, les persecucions, les bronques o els moments rom\u00e0ntics (n\u2019hi ha d\u2019haver i n\u2019hi ha, per descomptat) se succeeixen amb balls intensos (acaben destrossats, els int\u00e8rprets!), amb motivadors jocs d\u2019ombres i de llums, de sorolls i de curses que donen tot el ritme que cal per convertir la melositat de la trama en una impactant i contundent hist\u00f2ria. Una coreografia homenatge a <span style=\"font-family: Verdana;\">West Side Story acaba de donar tota la coher\u00e8ncia a l&#8217;actualitzaci\u00f3 del cl\u00e0ssic. Des del respecte, insisteixo.<\/span><br \/>\n[\/et_pb_testimonial][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>2016<\/p>\n","protected":false},"author":2,"featured_media":1660,"comment_status":"open","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"project_category":[17],"project_tag":[429],"class_list":["post-1056","project","type-project","status-publish","has-post-thumbnail","hentry","project_category-coreografo","project_tag-cat"],"_links":{"self":[{"href":"http:\/\/victor-rodrigo.com\/vrodrigo\/wp-json\/wp\/v2\/project\/1056","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/victor-rodrigo.com\/vrodrigo\/wp-json\/wp\/v2\/project"}],"about":[{"href":"http:\/\/victor-rodrigo.com\/vrodrigo\/wp-json\/wp\/v2\/types\/project"}],"author":[{"embeddable":true,"href":"http:\/\/victor-rodrigo.com\/vrodrigo\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/victor-rodrigo.com\/vrodrigo\/wp-json\/wp\/v2\/comments?post=1056"}],"version-history":[{"count":42,"href":"http:\/\/victor-rodrigo.com\/vrodrigo\/wp-json\/wp\/v2\/project\/1056\/revisions"}],"predecessor-version":[{"id":4647,"href":"http:\/\/victor-rodrigo.com\/vrodrigo\/wp-json\/wp\/v2\/project\/1056\/revisions\/4647"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/victor-rodrigo.com\/vrodrigo\/wp-json\/wp\/v2\/media\/1660"}],"wp:attachment":[{"href":"http:\/\/victor-rodrigo.com\/vrodrigo\/wp-json\/wp\/v2\/media?parent=1056"}],"wp:term":[{"taxonomy":"project_category","embeddable":true,"href":"http:\/\/victor-rodrigo.com\/vrodrigo\/wp-json\/wp\/v2\/project_category?post=1056"},{"taxonomy":"project_tag","embeddable":true,"href":"http:\/\/victor-rodrigo.com\/vrodrigo\/wp-json\/wp\/v2\/project_tag?post=1056"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}